busy in my ears is TDm with a brand new phenomenon - the meticulous and careful exploration of deconstruction the real-virtual boundaries. From a
- imho remarkable - free, open perspective, behind the meditative calm and concentration are noticeable. The example of the close proximity and the flowing transitions, which he designed between sounds and noises and collages that were created digitally, analog or purely mechanical.
find fascinating me, for example, the transitions and mixtures of thin branches, which breaks, with / during / or: because / or: how einklopft if / someone on a keyboard. These sounds appear in 'Flux' is a particularly remarkable the infinitely many possible links between an initially constructed here a little scary abstract world of the immaterial and a warmer, more of the material to be.
'Flux' will start the company thoroughly for background radiation, which can be heard from nothing. But soon it will be observed: all (only) generated virtually. And not just in addition to a noticeable size angehm; cool glass sounds. This constant, only location and volume changing ostinato background radiation is a chameleon, looks different, depending on what else there is. Sometimes they give something, like a premonition of a solidified material world out of cyberspace. Voltage, in the truest sense of the word, namely, something such as electrical, is emerging short and violent. Together with the Background Huhu, * shudder *. Then again, a little longer - that must be? Apparently so, because that was the initial spark now, we hear from now on tiny electrical impulses that communicate with each other in any relationship - a processor core in slow motion, so to speak.
will soon sparked. It is expected, and sparked by radio - and there: pling, an idea pops up, just shortly after her ugly companion, the concerns were. In the form of a creaking, to be caressed balloons. Very original. Runs but something that balloon-stroking. A faster processor, we would hope, but he should not be so hot that the balloon might burst. But is now even chemical experiments, bubble and droplet creaking under air balloon by computer.
And then there's:
The silence.
eloquent, effective.
Maybe this is the entropy so not too bad.
immersed What to do? Finally something for institutional professional accountant. A chord unfolds. What voicings, what sounds! The question of creation height would be clarified. But the silence - that's a serious competition, and in the direction everything seems to go. Well. But the background radiation. Remains. As long as we distinguish at all. But the silence shows us: All just thought. This in turn very detailed, and therefore will continue and be counted and sparked all sorts of strange noises. you have to be patient. Then finally: relative peace. The heart-lung machine is in the 'as usual' - mode and was involved in delicate sound designers. At the end: An unspectacular immersion. Perhaps still waiting on a different idea?
I lie well with my associations with the word 'Flux' properly or as someone who loves Italian cars?
vibrational energy flow and thus there are two worlds, and the light is also so borderline ne thing ...
reflux, no, 'ALL BACK' - the title is here again Program - will begin homely analogy and shows us in the back border crossing flowers that can bloom in a high-minded / virtual / not finished yet constructed world Sun So at least if a string quartet sometimes sniffs in the blogosphere, so to speak. This 2nd number of the album seems to have sprung from the question: Can we finally do something about the entropy? Here's the time comes into play. Interesting, interesting.
From now expected back, and the old scripts only fly through the air, forward and backward.
In 'Memento' seems to me to be a synthesis TDm to try. to slow, repetitive circles a thought. The Quartet has come to terms with the background radiation and is looking for interchanges and contacts in the electronic communication. Then dive - only tentatively mechanically, then violently virtual - unpleasant memories as the Association of the encircled thought. Since he is apparently dead first, the thought. But this time the silence lasted not as long as at the beginning. This idea seems to be better. A violent sparking Channel brings the strings from their lethargy. It buzzes. It's really hot in this corn field. But then moderated a pleasant breeze - the violin pizzicato - the sultry and a new desire for a better on-the-past, the beginning, include before this unpleasant episode. All back. The beauty of a true gong sound. It is wanted back in the ether. The Dam DiDapdiDam motif is worked through thoroughly. What remains is the solo viola. Just a hint of resignation, taken in focus.
If you zBsp. Vladimir Martynov might like, this album also be of interest to you.
This is music to the most serious of all films. The real, so to speak.
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